ICFF 2008: The Report

This year there were several pieces that considered the environment and stood out from the crowd. More than ever there was a reoccurrence of manufacturing in the New York metro area. Several designers we spoke with mentioned that their products were fabricated or produced in Brooklyn and also sold locally. We were also very excited to see an increase in the amount of recycled materials being used in the production of furniture.

Ayako Takase, Cutter Hutton and Chris Specce of Kaiju Studios in Providence, RI released the Airia desk and media cabinet, for Herman Miller this year at ICFF. These pieces are part of Herman Miller’s Lifework Portfolio series and strive to create a remarkable, quality design that is far from disposable and very desirable. Takase mentioned that through the design, ergonomics, materials and construction quality, they intend the furniture to be something “you’ll keep for the rest of your life and pass on for generations.” The desk and cabinet are both designed for easy assembly/disassembly and are made from walnut, featuring a plywood laminate top surface and cast aluminum legs.

Kaiju Studios

Akemi Tanaka is a Brooklyn based designer and a recent graduate of the Industrial Design masters program at Pratt. She launched her line of eco-friendly furniture this year at ICFF. The three new products that she released at the show include Ori, Sachi and Curve. They are locally made in Brooklyn and primarily sold to customers in the New York area.

Akemi Tanaka

Meredith Goodwin created the SURA table. A simple, modular coffee/side table piece designed for small spaces. SURA is fabricated out of a strong aluminum alloy with an Indian inspired design cut into the metal. SURA is made from Aluminum and produced locally in Brooklyn, New York.

Goodwin Design

Diane Ruengsorn, Founder and Director of Domestic Aesthetic created a line of housewares that use sustainably forested and reclaimed woods while being locally made in Brooklyn. Our favorite product uses scrap mahogany which is reclaimed from a local window manufacturer.

Domestic Aesthetic

With the rising cost of fuel and labor oversees, material companies such as IceStone, are using production facilities in the United States. IceStone manufactures Cradle to Cradle certified eco-friendly surface material used for countertops, bathroom vanities, and flooring for commercial or residential projects. The material is made from recycled glass and concrete and is produced by an environmentally friendly manufacturing process at a factory in Brooklyn, New York.

IceStone

Droog Does Materials

I am here in Milan, Italy reporting from the Fuori Salone di Mobile. I’ve seen quite a lot and walked even more! Yesterday we went to see the Droog exhibition close to la Triennale on Foro Buonaparte. The title of the exhibition is post-sustainability. Although I generally gush over the ideas generated through the Droog community, I was a bit apprehensive to see what they produced for Milan under this theme seeing as how all the “green” themed shows have been nothing more than disappointing.

Contrary to my apprehensive feelings, the show was wonderful. It was quite small but thought provoking. The two that I enjoy the most are of a new materials nature. The first is a fence for your yard or a highway made of refused plastic bags (see image above). The bags are strung through a series of vertical, flexible cords that are held taught by a metal frame. Depending on the size and density, some bags are layered, some are overlapping, and some stand a lone. Another beauty in this piece is that the control of design and aesthetic is left up to the owner. Now this fence may not keep enemies apart from each other but it has the potential to serve as a sound barrier or simply a way to draw a line.

The second object is a table made of shredded Elle Magazines. Even today in the digital age, somehow we still fall victim to the magazine collection problem. It made we wonder what size chair we could make if everyone pooled all the magazines and paper propaganda collected at this show- certainly a chair no human could mount alone. Most importantly, what I appreciate about this table is that it is attainable and easy to create- any teenager forced to clean up her room and realizes she has a stack of magazines to the ceiling could simply create a vanity table out of them and not throw away a scrap (not to mention have to carry them all downstairs to the trash)!

It is the simplicity and engagement that really makes Droog objects special. I hope that other attendees alike had a similar reaction. If you were there, by all means share your comments with us! For the rest of you, stay posted, I will be reporting more…