



(Images courtesy of Centre Pompidou)
To characterize some of Shigeru Ban’s recent architectural projects as paradigm-shifting would be an understatement. Born in Tokyo Japan in 1957, the world famous architect was influenced by both Japanese minimalism and many of the most renowned Western architects (Corbusier, van der Rohe, and others). In fact, one can see echoes of such simplicity in Ban’s use of cardboard shipping tubes in structures from temporary relief housing he designed for earthquake victims in Japan and Turkey, to a church in Kobe, Japan (reassembled in Taiwan in 2007), and even his small studio space on the roof of the Pompidou Center in Paris. Although there are certainly other materials present, such as recycled fiberboard, steel hardware and support cables, the cylindrical cardboard tubing often makes up the bulk of these simple structures.
When one considers Ban’s use of cardboard tubing as a structural (some might even remark on its minimalist aesthetic quality) material, it is easy to understand why many refer to him as a green architect, yet he eschews such labeling as contrived and perhaps short-lived, preferring to adhere to his own notion of designing and engineering structures holistically through a sort of practical minimalism. It is encouraging to see an architect as famous as him, utilizing such simple and straightforward waste as cardboard shipping tubes, within a project, rather than simply being comfortable with their being landfilled or incinerated. Perhaps his work will have a powerful influence not only on those humanitarian-minded architects and designers who are already inclined to offer solutions to overcrowding and low cost housing, but also on those who have yet seen the benefits of sustainable alternative materials.
Shiguru Ban’s Interview with designboom.com